Breathing in the fresh mountain air, looking up at the clear blue skies, gazing out at the vast view of Mount Hermon... That's how I started my day at the annual Rosh Pina TV & Film Festival (which should actually be titled "Media Festival"-details below)
The country's media gang (referred to as "Ha-Branja" in Hebrew) convened over the last weekend to socialize and discuss the Israeli media industry. This year's headline: 40 Years for Israeli TV.
But instead of discussing the past accomplishments, this year, everyone was interested in discussing the future of the Israeli media (as well as their own). Following the weekend discussions, my biggest takeaway is:
There is the huge gap between the current state of media in Israel (specifically TV - very outdated), to that of the country's potential: Talents, know how, and world class technological capabilities:
Israel's current state of the media:
TV is only 40 years old in Israel, but it's much older (i.e. much more advanced) in other countries.
1. No HD. No IPTV. DVR services have only just started to appear.
2. Public Broadcasting: Israel public broadcasting is a very slow, low budget (but high cost) entity, that does not produce quality content, and is still operating in a late 1980's mode. Basically, a lot of people, doing very little work.
Contrast this with the UK (BBC), which has been able to lead the media to the next generation with world class productions, segmented content, mobile device broadcasts, digital radio, etc.
There is talk about restructuring in Israel - but with the way public entities operate here (and the comments I heard this weekend), it would be foolish to have high hopes for change.
3. Advertisers: The Israeli ad agencies seem to be living in a dream, and have yet to fully expand into the new media and new advertising channels. Although reluctant to embrace the progressing changes, they are aware and do have a real fear of the impending changes in the advertising world. TV and print still have a very strong dominance in ad spending. Moreover, advertisers still practice some legally questionable practices (such as "double commissions" - i.e. there is no separation between the ad agency and the media buyers, enabling them to charge media "placement" commissions from the channels. This has long been out-ruled in most countries).
I'm not sure if regulation will change soon enough, but I am sure that new media (such as Google in Israel) will be a pleasant wake up call. At least for the consumers. Maybe not so much for the ad agencies.
In contrast - Israel has world class potential:
1. The Israeli media personas possess world class content and consumer understanding
- Israel has developed TV show formats that have acclaimed global success: "The Vault" was sold around the world, Uri Geller's "The Heir" was acquired by NBC (to be called "Phenomenon"), Betipul was sold to HBO, "The Ex" was sold to Fox, and many more...
- Israeli film has seen a revival over the last years - most recently winning prizes at all top international film festivals: Bikur Hatismoret at Tokyo last week, Meduzot at Cannes, Beaufort - all in the last year.
2. Israel is home to some of the most advanced players in New Media
Several Israeli startups are providing solutions that cross the Media consumption chain. Below is a slide I put together with just a small sample.
Unfortunately, these companies need to go to other countries to Beta test their products (given the lack of advanced implementation within Israel's existing channels).
3. The local media community is starting to realize the potential of the media revolution. Some have already made a move (one such example is Uri Shinar, a leading media figure in Israel, who led a panel this weekend and created Aniboom).
Combining the understanding these people have (in consumer needs, behaviors, and content) together with cutting edge technologies - can create a real competitive advantage in the global markets.
And this, in essence, is the reason I was there (and the reason my fund sponsored the event):
To meet more of the media community, which I believe will soon be the foundation for Israel's next generation of media ventures.
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